Robert Maki

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Artists

ReClaim: Reclining Astra", 2014/2006, mixed media on paper, 22 x 30"

Fred Birchman

"Glass Jar Lid", 2009-11, oil on canvas, 26 x 30"

Brian Blackham

"Plaid Room with Diamond, Number 3", 2014, archival inkjet print, ed. of 3, 20 x 20"

David Brody

Untitled, 1983, Polaroid print

Marsha Burns

"First Fall", 2015, oil on canvas, 26 x 16"

Kimberly Clark

"Bamboo Tower"

Steve Costie

"Dentil", 2013, ink on paper, 17 x 23"

John Fadeff

"Portrait with Cap", 2014, oil on linen over board, 14 x 11"

Ann Gale

"Star", 2015, archival inkjet print, 20 x 15"

Ellen Garvens

"Prodigal Son"

Rimma & Valeriy

"Afternoon Obbligato", 2014, oil on linen panel, 9 x 12"

Kathy Gore-Fuss

"Underway", 2014, oil on linen, 48 x 60"

Laura Hamje

"Indeterminate Landscape, September 13, 2001", 2001, acrylic on paper, 18x18"

Jim Holl

"Harman Site", 2011, acrylic on canvas, 32 x 36"

Michael Howard

Paper Bird, Bag and Stripes", 2014, oil on canvas board, 12 x 12"

Amy Huddleston

 "Holes", 2014, archival inkjet print, 1/3, 11.75 x 11.75"

Caroline Kapp

"Madonna Bomb 3", 2012, archival pigment print, 37 x 96"

Dianne Kornberg

"Supermodel", 2015, archival inkjet print, 22 x 19.5"

Carolyn Krieg

"Figure"

Phillip Levine

"Breathe In", 2013, oil & collage on canvas, 58 x 68"

Kathy Liao

"Split Light (Blue), 2014, mixed media, 25.25 x 25.25"

Dale Lindman

"Triple Pentagon (six locations)", 1979, graphite on vellum, 19 x 24"

Robert Maki

"Drinking Party", 2012, ink on paper, 6 x 5.5"

Sean McElroy

"Trumpeter Swan"

Elizabeth Ockwell

"Figure as Part of the Landscape", 2013, oil on canvas, 60 x 50.5"

Anne Petty

"Freighter #4", 2013, acrylic on paper, 28 x 21"

Robert Schlegel

"Hand Hollow", 1982, monoprint on paper, 14x18"

Stephen Schultz

"Construction 007" 2014, archival inkjet print, 12 x 18"

Graham Shutt

"Arm's Reach"

Romey Stuckart

"Tomatillos", 2011, oil on canvas, 36 x 36"

Laura Swytak

"Gestation Drawing 8th Month", 1998, charcoal on paper, 57x 54", photo credit: Mark Frey

Linda Thomas

Untitled (2), 2011, oil on paper, 8.25 x 8.75" image

Vannessa Tran

"Innocent Age: Gloria & Spanish Dancer", 2005-12, hand-colored silver gelatin print, 30 x 24" fr.

Kathy Vargas

"Fresh Kills #5"

Susan Wides

"Still Life with Red Tapestry 15", 2014, oil on linen, 28 x 25"

Jordan Wolfson

"Tree #15", 2013, oil on canvas, 24 x 18"

Evelyn Woods

Snowy Lake, Conneticut

Andrew Yates

Installation shot

Duane Zaloudek

We also have works by:

Untitled, 2011, pigment print, 8 x 8"

Hilary Brace

 "Going Home", 2005, charcoal on paper, 59 x 39.5"

Domenic Cretara

"Granada Café", 2012, giclee print, 11.75 x 11.75"

Joe Crookes

"Ginger Jar, Oaxacan Bottle, Soy Sauce Bottle (After Motherwell)" , Conte on paper

Fred Dalkey

"Chairs", charcoal on paper, 17 x 22"

Eric Elliott

 "1802", 2009, pastel on paper, 9 x 8.5"

David Fertig

 "Still Life Against a Clear Sky", 2013, oil on panel, 14.75 x 24"

Dean Fisher

"Abeltasman 1", 2014, gouache and lithograph on paper, 8 x 6"

Tamblyn Gawley

 "From Eldridge", 2002, charcoal & conté on paper, 59 x 42"

Yu Ji

The Blue Stair, digital mixed media collage, 18 x 24

Iskra Johnson

"Treasure Chest", 2008, oil on panel, 19 x 30"

Matt Klos

"Number 9", 2014, acrylic on paper, 12 x 16"

Robert Perlman

 "Intake", 2012, oil on board, 16 x 16"

Yvonne Petkus

"Silver Creek", 2008, archival inkjet print, 30 x 30"

Glenn Rudolph

"Linear Link, Two Spirals, Grid, 30 x 30", pencil and ink on paper, 36 x 36"

Chris Watts

"Triple Pentagon (six locations)", 1979, graphite on vellum, 19 x 24"

"Triple Pentagon (six locations)", 1979, graphite on vellum, 19 x 24"

"Zinc Pentagon", 1981, graphite & paint on vellum, 19 x 24"

"Zinc Pentagon", 1981, graphite & paint on vellum, 19 x 24"

"WHITE TIMAEUS", 1984, graphite & white pigment on vellum, 19 x 24"

"WHITE TIMAEUS", 1984, graphite & white pigment on vellum, 19 x 24"

'#5 Arc (3 sections-2 white) 5, 5A, 5B', 1980, graphite & white pigment on vellum, 19 x 24"

'#5 Arc (3 sections-2 white) 5, 5A, 5B', 1980, graphite & white pigment on vellum, 19 x 24"

"Concave Pentagon Shield", 1985, graphite on vellum, 19 x 24"

"Concave Pentagon Shield", 1985, graphite on vellum, 19 x 24"

"Paris Table", 1993, graphite & color pigment on vellum, 19 x 24"

"Paris Table", 1993, graphite & color pigment on vellum, 19 x 24"

"Afternoon Phase / Pentagon Oval", 1984, graphite & white pigment on vellum, 19 x 24"

"Afternoon Phase / Pentagon Oval", 1984, graphite & white pigment on vellum, 19 x 24"

"Afternoon Phase / Pentagon Oval", 1984, graphite & white pigment on vellum, 19 x 24"

"Black Top", 1981, graphite on vellum, 19 x 24"

"3 Bends, 4 Sides/ Concave Pentagon"

"3 Bends, 4 Sides/ Concave Pentagon", 1984, wash on vellum, 19x24"

Concave- 5 Sides- 4 PTS

"Concave- 5 Sides- 4 PTS", 1984, graphite on vellum, 17.5x22.5"

"Split II", 2007, graphite & pigment on vellum, 11 x 14"

"Split II", 2007, graphite & pigment on vellum, 11 x 14"

"Nocturine", 2007, graphite & pigment on vellum, 11 x 14"

"Nocturine", 2007, graphite & pigment on vellum, 11 x 14"

"Lode II", 1983, graphite on vellum, 19 x 24"

"Lode II", 1983, graphite on vellum, 19 x 24"

"Seven Hills", 1986, graphite on vellum, 24 x 19"

"Seven Hills", 1986, graphite on vellum, 24 x 19"

"Seven Hills II"

"Seven Hills II", 1986, graphite on vellum, 23.25 x 18.25"

Brides Option, 1985, graphite on vellum, 24 x 19"

"Brides Option", 1985, graphite on vellum, 24 x 19"

Robert Maki bio

Robert Maki

Robert Maki has exhibited in France, Japan, Canada and across the USA since the early 1960's. He studied drafting four years before engineering drawing in college and taught descriptive geometry, mechanical drawing & art/art history prior to graduate school. He received his BA from Western Washington University in 1962 and MFA from University Washington in 1966. Between 1962-69 his sculpture and drawings were exhibited nationally, and in galleries and museums in Los Angeles, San Francisco, Portland, Seattle and Vancouver BC with important early one-person exhibitions at the Richmond Art Center, CA; Michael Walls Gallery, SF; Attica and Richard White Galleries in Seattle and notable "West Coast Now" exhibition organized by the Portland Art Museum.

Named "Alumnus of the Century" at Western Washington University, Honorary Lecturer at the University of Washington and Rockefeller Artist-in-Residence at Wake Forest University, he has also received NEA fellowships & grants, private & public commissions and recognized for his site-generated sculpture projects over the past four decades. His concept based curvilinear sculpture and large tape & metal wall drawings are fragments complete by idea, site and participant. Drawings follow the sculpture recording perceptual variations, additive building process and geometry of derived pentagon voids and solids, real and implied, as they unfold from the Timaeus triangle.

Over the years Maki has maintained a separation from formal teaching, but has continued lectures, residencies and installation projects.