Robert Maki



"Hesitations Border", 2004, mixed media on paper, 11.25 x 30"

Fred Birchman

"Glass Jar Lid", 2009-11, oil on canvas, 26 x 30"

Brian Blackham

"Gray Room, Number 1", 2012, archival inkjet print (ed. of 3, 1 AP), 9x12"

David Brody

Untitled, no date, silver gelatin print, unique

Marsha Burns

"Tomorrow They Would Be Gone"

Kimberly Clark

"Bamboo Tower"

Steve Costie

Rose Hill

John Fadeff

"Portrait with Cap", 2014, oil on linen over board, 14 x 11"

Ann Gale

"Erase", 2014, archival inkjet print, 18 x 24"

Ellen Garvens

"Invisible Bonfire", 2001

Rimma & Valeriy

"Winter Lean II", 2013, oil on paper, 14 x 10" im., 19.5 x 15.5" fr.

Kathy Gore-Fuss

"Underway", 2014, oil on linen, 48 x 60"

Laura Hamje

"Horse on the Beach, Thailand"

Randy Hayes

"Indeterminate Landscape, September 13, 2001", 2001, acrylic on paper, 18x18"

Jim Holl

"473 Oliver", 2014, oil on canvas, 33.25 x 47.25"

Michael Howard

"Grey Portrait", 2012-14, acrylic & oil on panel, 14 x 14"

Amy Huddleston

"Wound, 2014, archival inkjet print, 13.5 x 9"

Caroline Kapp

"Madonna Bomb 3", 2012, archival pigment print, 37 x 96"

Dianne Kornberg


Carolyn Krieg


Phillip Levine

"Breathe In", 2013, oil & collage on canvas, 58 x 68"

Kathy Liao

Twilight Moons

Dale Lindman

"Split II", 2007, graphite & pigment on vellum, 11 x 14"

Robert Maki

"Drinking Party", 2012, ink on paper, 6 x 5.5"

Sean McElroy

"Trumpeter Swan"

Elizabeth Ockwell

"Figure as Part of the Landscape", 2013, oil on canvas, 60 x 50.5"

Anne Petty

"Outbuildings", 2011, acrylic on ledger paper, 5 x 5"

Robert Schlegel

"Hand Hollow", 1982, monoprint on paper, 14x18"

Stephen Schultz

"Construction #5", 2012, archival digital print, 19 x 13"

Graham Shutt

"Arm's Reach"

Romey Stuckart

"Tomatillos", 2011, oil on canvas, 36 x 36"

Laura Swytak

"Geneva Conventions"

Linda Thomas

Untitled (2), 2011, oil on paper, 8.25 x 8.75" image

Vannessa Tran

Innocent Age- Discarded Garb (Grass Dress)

Kathy Vargas

"Fresh Kills #5"

Susan Wides

"Still Life with Turquoise Bowl in Three Parts, Part 15" 2014, oil on linen

Jordan Wolfson

"Space between the Cars", 2005, charcoal on paper, 34 x 26"

Evelyn Woods

Light on Floor

Andrew Yates

Installation shot

Duane Zaloudek

Glenn Rudolph, "Silver Creek", 2008, archival inkjet print, 30 x 30"


"Split II", 2007, graphite & pigment on vellum, 11 x 14"

"Split II", 2007, graphite & pigment on vellum, 11 x 14"

Concave- 5 Sides- 4 PTS

"Concave- 5 Sides- 4 PTS", 1984, graphite on vellum, 17.5x22.5"

"Nocturine", 2007, graphite & pigment on vellum, 11 x 14"

"Nocturine", 2007, graphite & pigment on vellum, 11 x 14"

"3 Bends, 4 Sides/ Concave Pentagon"

"3 Bends, 4 Sides/ Concave Pentagon", 1984, wash on vellum, 19x24"

"Lode II", 1983, graphite on vellum, 19 x 24"

"Lode II", 1983, graphite on vellum, 19 x 24"

"Seven Hills", 1986, graphite on vellum, 24 x 19"

"Seven Hills", 1986, graphite on vellum, 24 x 19"

"Seven Hills II"

"Seven Hills II", 1986, graphite on vellum, 23.25 x 18.25"

View Robert Maki bio

Robert Maki

Robert Maki has exhibited in France, Japan, Canada and across the USA since the early 1960's. He studied drafting four years before engineering drawing in college and taught descriptive geometry, mechanical drawing & art/art history prior to graduate school. He received his BA from Western Washington University in 1962 and MFA from University Washington in 1966. Between 1962-69 his sculpture and drawings were exhibited nationally, and in galleries and museums in Los Angeles, San Francisco, Portland, Seattle and Vancouver BC with important early one-person exhibitions at the Richmond Art Center, CA; Michael Walls Gallery, SF; Attica and Richard White Galleries in Seattle and notable "West Coast Now" exhibition organized by the Portland Art Museum.

Named "Alumnus of the Century" at Western Washington University, Honorary Lecturer at the University of Washington and Rockefeller Artist-in-Residence at Wake Forest University, he has also received NEA fellowships & grants, private & public commissions and recognized for his site-generated sculpture projects over the past four decades. His concept based curvilinear sculpture and large tape & metal wall drawings are fragments complete by idea, site and participant. Drawings follow the sculpture recording perceptual variations, additive building process and geometry of derived pentagon voids and solids, real and implied, as they unfold from the Timaeus triangle.

Over the years Maki has maintained a separation from formal teaching, but has continued lectures, residencies and installation projects. In 2005 he moved form Seattle across the Sound to Kingston, building an exhibition space, studio and sculpture garden, but requires his large scale fabrication be done on the Duwamish by the company underwriting his 1995, 18 piece outdoor installation, "MAKI AT THE GARDEN" in Bellevue, Washington.