Andrew Yates

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Artists

"Re-Claim #1", 2014, mixed media on paper, 22.5 x 30"

Fred Birchman

"Glass Jar Lid", 2009-11, oil on canvas, 26 x 30"

Brian Blackham

"Gray Room, Number 1", 2012, archival inkjet print (ed. of 3, 1 AP), 9x12"

David Brody

Untitled, no date, silver gelatin print, unique

Marsha Burns

"Tomorrow They Would Be Gone"

Kimberly Clark

"Bamboo Tower"

Steve Costie

"Dentil", 2013, ink on paper, 17 x 23"

John Fadeff

"Portrait with Cap", 2014, oil on linen over board, 14 x 11"

Ann Gale

"Erase", 2014, archival inkjet print, 18 x 24"

Ellen Garvens

"Invisible Bonfire", 2001

Rimma & Valeriy

"Afternoon Obbligato", 2014, oil on linen panel, 9 x 12"

Kathy Gore-Fuss

"Underway", 2014, oil on linen, 48 x 60"

Laura Hamje

"Horse on the Beach, Thailand"

Randy Hayes

"Indeterminate Landscape, September 13, 2001", 2001, acrylic on paper, 18x18"

Jim Holl

"473 Oliver", 2014, oil on canvas, 33.25 x 47.25"

Michael Howard

"Grey Portrait", 2012-14, acrylic & oil on panel, 14 x 14"

Amy Huddleston

"Soft Hinge (Deadbolt)", 2014, archival inkjet print, ed. of 3, 14 x 9.5"

Caroline Kapp

"Madonna Bomb 3", 2012, archival pigment print, 37 x 96"

Dianne Kornberg

"Person Horse, Sea", 2014, archival inkjet print

Carolyn Krieg

Landscape

Phillip Levine

"Breathe In", 2013, oil & collage on canvas, 58 x 68"

Kathy Liao

Twilight Moons

Dale Lindman

"Split II", 2007, graphite & pigment on vellum, 11 x 14"

Robert Maki

"Drinking Party", 2012, ink on paper, 6 x 5.5"

Sean McElroy

"Trumpeter Swan"

Elizabeth Ockwell

"Figure as Part of the Landscape", 2013, oil on canvas, 60 x 50.5"

Anne Petty

"Outbuildings", 2011, acrylic on ledger paper, 5 x 5"

Robert Schlegel

"Hand Hollow", 1982, monoprint on paper, 14x18"

Stephen Schultz

"Construction 007" 2014, archival inkjet print, 12 x 18"

Graham Shutt

"Arm's Reach"

Romey Stuckart

"Tomatillos", 2011, oil on canvas, 36 x 36"

Laura Swytak

"Gestation Drawing 8th Month", 1998, charcoal on paper, 57x 54", photo credit: Mark Frey

Linda Thomas

Untitled (2), 2011, oil on paper, 8.25 x 8.75" image

Vannessa Tran

Innocent Age- Discarded Garb (Grass Dress)

Kathy Vargas

"Fresh Kills #5"

Susan Wides

"Still Life with Turquoise Bowl in Three Parts, Part 15" 2014, oil on linen

Jordan Wolfson

"Lux Duet", charcoal on paper, 29 x 20.75"

Evelyn Woods

Light on Floor

Andrew Yates

Installation shot

Duane Zaloudek

We also have works by:

Untitled, 2011, pigment print, 8 x 8"

Hilary Brace

 "Going Home", 2005, charcoal on paper, 59 x 39.5"

Domenic Cretara

"Granada Café", 2012, giclee print, 11.75 x 11.75"

Joe Crookes

"Ginger Jar, Oaxacan Bottle, Soy Sauce Bottle (After Motherwell)" , Conte on paper

Fred Dalkey

"Chairs", charcoal on paper, 17 x 22"

Eric Elliott

 "1802", 2009, pastel on paper, 9 x 8.5"

David Fertig

 "Still Life Against a Clear Sky", 2013, oil on panel, 14.75 x 24"

Dean Fisher

"Redwood 1", 2013, egg tempera on panel, 6.75 x 11.25"

Tamblyn Gawley

 "From Eldridge", 2002, charcoal & conté on paper, 59 x 42"

Yu Ji

"Treasure Chest", 2008, oil on panel, 19 x 30"

Matt Klos

 "Number 8", 1997, acrylic on paper, 22.5 x 30"

Robert Perlman

 "Intake", 2012, oil on board, 16 x 16"

Yvonne Petkus

"Silver Creek", 2008, archival inkjet print, 30 x 30"

Glenn Rudolph

Green Pool at Darwell Woods, 2008

Green Pool at Darwell Woods, 2008

"Fisherman's Hut", 2010, archival digital print

"Fisherman's Hut", 2010, archival digital print

Snowy Lake, Conneticut

"Snowy Lake, Conneticut, Winter 2003", 2003, archival digital print

Hut with Red Roof

"Hut with Red Roof", 2010, archival digital print

Suburb, Fairbanks, Alaska

"Suburb, Fairbanks, Alaska", 2005, archival digital print

Flooded Trees at Darwel

"Flooded Trees at Darwell", 2008, archival digital print

Andrew Yates bio

Andrew Yates

Andrew Yates (English, 1945-2011)

Natural phenomena and his immediate surroundings – coastal, rural, suburban, and city landscapes – supplied his direct subject matter and indirect inspiration. His studio interests centered on the interplay between four elements - the generative process, the literal constituent stuff of the work (material, mark, scale, shape, colour), its spatial, allusive or iconographic references, and the latent metaphoric or symbolic significance of the image.

Yates viewed his paints, cameras and computers as complementary means of art production; each medium was valued in its own right, and for its capacity to prompt rethinking in other media. Andrew Yates studied Fine Art at Hornsey College of Art in London UK, graduating in 1968. He continued to live in London for over three decades. He taught at several prominent UK Art Colleges; a career which culminated as Dean of the School of Art in Chelsea College of Art & Design (London).

In 2002 he gave up full-time academic commitments, and moved home and studio to the East Sussex coast (UK). He exhibited in both solo and group exhibitions, and his work is represented in public and private collections. His personal website: www.andrew-yates.com