Andrew Yates



Nocturne, 2014, mixed media on paper, 35 x 45”

Fred Birchman

"Glass Marble", 2012-14, oil on panel, 18 x 24"

Brian Blackham

"Plaid Room with Diamond, Number 1", 2014, archival inkjet print, ed. of 3, 20 x 20"

David Brody

No.15(Bobbie) 2010-11 arch-dig

Marsha Burns

"Old Pacific Coast Highway", 2015, oil on linen, 18 x 18"

Kimberly Clark

"Concrete Form #5", 2011, graphite on paper, 23 x 29" paper size

Steve Costie

"Dentil", 2013, ink on paper, 17 x 23"

John Fadeff

"Portrait with Grid", 2014, oil on masonite, 14 x 11"

Ann Gale

"Star", 2015, archival inkjet print, 20 x 15"

Ellen Garvens

"Prodigal Son"

Rimma & Valeriy

"Portal I", 2015, oil on canvas, 20 x 24"

Kathy Gore Fuss

"Melt", 2012, oil on canvas, 66 x 62”

Philip Govedare

"Indeterminate Landscape, September 13, 2001", 2001, acrylic on paper, 18x18"

Jim Holl

"K.M. (backyard)", 2011, acrylic on canvas, 16.25 x 11"

Michael Howard

"The Listener", 2010, casein, 11 x 14"

Amy Huddleston

False Mirror, 2016, archival inkjet print, 9.5 x 14.25 ”, ed. ¼

Caroline Kapp

"Fjallabek", 2002, archival pigment print on rag paper, 16.5 x 22” on 19" x 24” paper

Dianne Kornberg

"Young Blue Eye", 2016, archival pigment print, 22.5 x 15”

Carolyn Krieg


Phillip Levine

"Tero with Cup", 2013, collage & gouache on paper, 34 x 18" im.

Kathy Liao

"Shadow's Gate", 2014, oil & wax on Yupo paper,  8 x 7" im.

Dale Lindman


Sean McElroy

"Trumpeter Swan"

Elizabeth Ockwell

"Sara and Her Dog", 2013, oil on canvas, 36 x 40"

Anne Petty

"Outbuildings", 2011, acrylic on ledger paper, 5 x 5"

Robert Schlegel

 Graham Shutt, "Fold 002c", 2014, archival inkjet print, 10 x 8"

Graham Shutt

"Arm's Reach"

Romey Stuckart

"Frontier", 2010, oil on canvas, 48 x 48"

Laura Swytak

"Untitled", 1996, charcoal on paper, 25x19", photo credit: Mark Frey

Linda Thomas

Untitled (2), 2011, oil on paper, 8.25 x 8.75" image

Vannessa Tran

"Innocent Age: Gloria & Spanish Dancer", 2005-12, hand-colored silver gelatin print, 30 x 24" fr.

Kathy Vargas

Atlas Cement near Olana (December 18,1997)

Susan Wides

"Still Life with Sunflower II", 2014, oil on linen, 25 x 22"

Jordan Wolfson

"Tree #15", 2013, oil on canvas, 24 x 18"

Evelyn Woods

Snowy Lake, Conneticut

Andrew Yates

We also have works by:

 Untitled, 2012, pigment print, 6.5 x 9

Hilary Brace

"Volantes", 2014, silver gelatin print, 9 x 13"

Eduardo Calderón

 "Going Home", 2005, charcoal on paper, 59 x 39.5"

Domenic Cretara

"Granada Café", 2012, giclee print, 11.75 x 11.75"

Joe Crookes

"A Strong Light on Lindsey", 2011, Conte on paper, 10 7/8 x 7 3/8"

Fred Dalkey

"Philodendron", 2015, oil on canvas, 20 x 19"

Eric Elliott

"Officers of the Frolic", 2006, pastel on paper, 4.25 x 10.25" image

David Fertig

 "Still Life Against a Clear Sky", 2013, oil on panel, 14.75 x 24"

Dean Fisher

 "From Eldridge", 2002, charcoal & conté on paper, 59 x 42"

Yu Ji

"The Elegant Scaffold", 2012, digital mixed media collage, 15.25 x 15.5"

Iskra Johnson

"Treasure Chest", 2008, oil on panel, 19 x 30"

Matt Klos

"Number 4", 1996, acrylic on paper, 30 x 22"

Robert Perlman

"Reprieve", 2013, oil on board, 16 x 16"

Yvonne Petkus

"Transmission Tower", 2012, archival inkjet print, 24 x 24”

Glenn Rudolph

"Linear Link, Two Spirals, Grid, 30 x 30", pencil and ink on paper, 36 x 36"

Chris Watts

Snowy Lake, Conneticut

"Snowy Lake, Conneticut, Winter 2003", 2003, archival digital print

Light on Floor

"Light on Floor", 2001, archival digital print

Green Pool at Darwell Woods, 2008

Green Pool at Darwell Woods, 2008

"Fisherman's Hut", 2010, archival digital print

"Fisherman's Hut", 2010, archival digital print

Hut with Red Roof

"Hut with Red Roof", 2010, archival digital print

Suburb, Fairbanks, Alaska

"Suburb, Fairbanks, Alaska", 2005, archival digital print

Flooded Trees at Darwel

"Flooded Trees at Darwell", 2008, archival digital print

Andrew Yates bio

Andrew Yates

Andrew Yates (English, 1945-2011)

Natural phenomena and his immediate surroundings – coastal, rural, suburban, and city landscapes – supplied his direct subject matter and indirect inspiration. His studio interests centered on the interplay between four elements - the generative process, the literal constituent stuff of the work (material, mark, scale, shape, colour), its spatial, allusive or iconographic references, and the latent metaphoric or symbolic significance of the image.

Yates viewed his paints, cameras and computers as complementary means of art production; each medium was valued in its own right, and for its capacity to prompt rethinking in other media. Andrew Yates studied Fine Art at Hornsey College of Art in London UK, graduating in 1968. He continued to live in London for over three decades. He taught at several prominent UK Art Colleges; a career which culminated as Dean of the School of Art in Chelsea College of Art & Design (London).

In 2002 he gave up full-time academic commitments, and moved home and studio to the East Sussex coast (UK). He exhibited in both solo and group exhibitions, and his work is represented in public and private collections.